THE ROYAL IRISH ACADEMY IS IRELAND'S LEADING BODY OF EXPERTS IN THE SCIENCES AND HUMANITIES

Modern Ireland in 100 Artworks

Learn more about our the Royal Irish Academy’s collaboration with The Irish Times

This project is a collaboration between the Irish Times and the Royal Irish Academy, with artworks from Art and Architecture of Ireland, and profiling lives from the Dictionary of Irish Biography. The project is focused on artworks from 1916-2016, to tell the story of modern Ireland. Articles feature every Saturday in the Irish Times Culture section to convey our visual and written artistic history.

Learn more about the Art and Architecture of Ireland in this short introductory video:

Read Conor Goodman's article in The Irish Times.

Modern Ireland in 100 Artworks is a collaboration between ‘The Irish Times’ and the Royal Irish Academy. A panel of experts convened by the academy has chosen a single Irish artwork – book, painting, sculpture, play, poem or building – for each year from 1916 to 2015. Every Saturday Fintan O’Toole and panel members will profile one of these works in ‘The Irish Times’, finishing, in late 2016, with a work from 2015.

The 100 artworks will be drawn from the literary and visual arts. We will not neglect other areas of creative endeavour, however. As the project progresses we will also periodically include separate strands on 100 years of Irish music and song, Irish humour and Irish film.

The 100 works have been chosen by two panels of experts. Choosing the literary works were Eibhear Walshe (University College Cork), Chris Morash (Dublin City University), Máirín Nic Eoin (St Patrick’s College Drumcondra) and Anne Fogarty (University College Dublin). The art and architecture panel consisted of Catherine Marshall (coeditor of volume 5 of ‘Art and Architecture of Ireland’), Ellen Rowley and Hugh Campbell (coeditors of volume 4 of ‘Art and Architecture of Ireland’) and Paula Murphy (editor of volume 3 of ‘Art and Architecture of Ireland’).

The number of core genres has been kept deliberately small, but there were still keen debates between and within the panels.

And choosing one work for each year gave the series a simple structure but also threw up problems. Some years were creative deserts. Others saw the creation of a number of significant works, such as James Joyce’s ‘Finnegans Wake’ and Evie Hone’s ‘My Four Green Fields’ in 1939. Choosing was not always easy.

It was a relief when the panel members could agree on a work that encompassed both literary and visual genres, such as Thomas Kinsella’s translation of the Táin, in 1969, with illustrations by Louis le Brocquy.

The final artwork in the series – from the year 2015 – has not been created yet. As the project draws to a close we will ask ‘Irish Times’ readers to help us select from that year a creative work that deserves a place along with the other 99. So what begins today as a historical project can become a discussion about the arts in modern Ireland.

 

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